Lynching is one of the most tragic and shameful chapters in American history. This post examines the history of lynching, the victims, the perpetrators, and the profound social impact of music inspired by these atrocities.
Outline / Summary
Introduction
Lynching is the extrajudicial killing of African Americans, used as a tool of racial terror. Thousands were victims from the late 19th century through the mid-20th century. This article examines history, social impact, and music that memorializes these atrocities.
Section 1: The History of Lynching in America

Lynching was primarily a tool of racial control, used to maintain white supremacy. Over 4,000 African Americans were lynched between 1877 and 1950. Victims were often young, and perpetrators rarely held accountable. Below is a detailed historical record of lynching cases from the 19th century, demonstrating the breadth and brutality of these acts.
Detailed Historical Lynching Cases
| Name | Age | Ethnicity | City | County/Parish | State | Date | Accusation | Comment |
|---|---|---|---|---|---|---|---|---|
| Francis McIntosh | 26 | African American | St. Louis | St. Louis | Missouri | April 28, 1836 | Arrested on charge of disturbing the peace, stabbed deputies | Burned alive. Lynching had broad local support. Reported by abolitionist Elijah Lovejoy, who was later lynched himself. |
| John Tucker | about 45 | African American | Indianapolis | Marion | Indiana | July 5, 1845 | Unprovoked attack | Beaten by mob |
| Eli | Unknown | African American | Union | Franklin | Missouri | April 1847 | Murder | Hanged |
| David Thomas | 34 | African American | Denton | Caroline | Maryland | October 1854 | Beating a white man to death | Executed by mob |
| Aaron | Unknown | African American | Unknown | Washington | Arkansas | July 7, 1856 | Murder | Lynched |
| Anthony | Unknown | African American | Unknown | Washington | Arkansas | July 7, 1856 | Murder | Lynched |
| Bill Saul Thompson | Unknown | African American | Greensburg | Green | Kentucky | 1858 | Alleged murder and robbery of wealthy white farmer | Mob broke into jail; Thompson and Despano were hanged after another man committed suicide to avoid lynching. |
| Sloan Despano | Unknown | African American | Greensburg | Green | Kentucky | 1858 | Alleged murder and robbery of wealthy white farmer | Hanged by mob with Thompson |
| Adam | Unknown | African American | Tampa | Hillsborough | Florida | 1859 | Murder of a white man | Seized by mob and hanged after mistrial; represented by Ossian Hart |
| John | 23 | African American | Marshall | Saline | Missouri | July 19, 1859 | Murder | Burned alive by mob after being accused of accomplice |
| Jim | 32-35 | African American | Marshall | Saline | Missouri | July 19, 1859 | Attempted Rape | Hanged; mob intended to burn him but hanged him instead |
| Hollman | 30 | African American | Marshall | Saline | Missouri | July 19, 1859 | Assault | Hanged |
| George Marshall Clarke | 23 | African American | Milwaukee | Milwaukee | Wisconsin | September 6, 1861 | Exchanged insults and blows with two Irishmen | Hanged from pile driver by crowd of 50–75 Irishmen |
| Jacob Hamilton | 28 | African American | Smyrna | Kent and New Castle | Delaware | October 11, 1861 | Assaulted white woman in her home | Seized during trial and hanged by crowd |
| Jim Wilson | Unknown | African American | Oakland | Caroline | Maryland | 1862 | Rape and murder of an 8-year-old white girl | Lynched |
| Joshua Boyd | Unknown | African American | Detroit | Wayne | Michigan | March 6, 1863 | Unknown | Beaten by mob; died four days later |
| Robert Mulliner | Unknown | African American | Newburgh | Orange | New York | June 21, 1863 | Alleged rape of Irish woman | Hanged by mob of Irishmen |
| John Taylor | 17 | African American | Mason | Ingham | Michigan | August 27, 1866 | Attempted murder of employer’s wife | Hanged and mutilated; later memorialized in John Taylor Park |
| Thomas Coleman | 34 | African American | Salt Lake City | Salt Lake | Utah Territory | December 10, 1866 | Walking with white woman | Bludgeoned to death; throat slit; body left with warning note |
| William “Obie” Evans | Unknown | African American | Leipsic | Kent | Delaware | July 24, 1867 | Arson | Hanged from willow tree |
| Tom McLain | Unknown | African American | Coffeeville | Yalobusha | Mississippi | July 1868 | Alleged murder of white overseer | Mob broke into jail and hanged him with accomplice |
| Gilbert Quinn | Unknown | African American | Coffeeville | Yalobusha | Mississippi | July 1868 | Accomplice to murder of white overseer | Hanged with McLain by mob |
| Isaac Moore | Unknown | African American | Bel Air | Harford | Maryland | July 22, 1868 | Robbing white woman | Seized before magistrate and hanged naked from tree |
| Lawrence Bowman | Unknown | African American | Franklin | Williamson | Tennessee | August 15, 1868 | None | Shot to death by masked men during store attack |
| Jim Quinn | Unknown | African American | Jarrettsville | Harford | Maryland | October 2, 1869 | Assaulting white woman | Hanged |
| Thomas Juricks | about 35 | African American | Piscataway | Prince George’s | Maryland | October 12, 1869 | Assault of white woman | Hanged by mob; father of six |
Section 2: Billie Holiday’s Strange Fruit

Billie Holiday’s 1939 song Strange Fruit brought national attention to the horrors of lynching. Written by Abel Meeropol, the song’s haunting lyrics describe the brutal reality of lynched African Americans in the South.
The song’s social impact was profound. It exposed white audiences to the realities of racial terror and inspired activism. It also became a symbol of resistance for African Americans, connecting music with civil rights advocacy.
Section 3: Contemporary Relevance

The legacy of lynching remains relevant. Modern music continues to reflect on racial violence, including Elijah Blake’s 2017 song Hanging Tree, which references historical racial violence and systemic injustice. These cultural works remind us that the struggle against racial oppression continues.
Conclusion
Lynching left a lasting mark on American society. From historical cases to cultural memorialization through music, the echoes of this violence still resonate. Understanding this history is critical in confronting racial injustice today.